Shopping Cart
0 item
New Customers
By creating an account with our store, you will be able to move through the checkout process faster, store multiple shipping addresses, view and track your orders in your account and more.
You may also be interested in the following product(s)
-
Samyang 300mm f/6.3 Mirror Lens
$638.00 -
-
Samyang 16mm f/2.0 ED AS UMC CS
$788.00 -
-
-
Samyang T-S 24mm f/3.5 ED AS UMC
$1,548.00 -
Samyang 8mm F/2.8 UMC Fish-eye
$598.00 -
Samyang 35 mm f/1.4 AS UMC
$928.00
-
Samyang 24mm f/1.4 ED AS UMC
$998.00 -
Samyang 35mm T1.5 AS UMC VDSLR II Lens.
The new Mark II (Mk 2) versions feature revised placement of the focus and aperture gearing, so all newest lenses have the gearing in the same place for convenience on rigs and professional follow focus systems.
This VDSLR (Video DSLR) version has been developed primarily for professional cine / movie making purposes. The VDSLR version feature follow focus gearing and decoupled aperture, which allow the user to smoothly and quietly change focus and aperture / depth of field whist filming, and link to professional follow focus cam systems.
The Samyang is rated in T-Stops rather than F-stops which is usual for movie camera lenses. F-stop number expresses the speed of the lens on the assumption that lens transmits 100% of the incident light. The T-number expresses the actual light transmission, which is more accurate, and is the standard in professional cine lenses.
The new Mark II (Mk 2) versions feature revised placement of the focus and aperture gearing, so all newest lenses have the gearing in the same place for convenience on rigs and professional follow focus systems.
This VDSLR (Video DSLR) version has been developed primarily for professional cine / movie making purposes. The VDSLR version feature follow focus gearing and decoupled aperture, which allow the user to smoothly and quietly change focus and aperture / depth of field whist filming, and link to professional follow focus cam systems.
The Samyang is rated in T-Stops rather than F-stops which is usual for movie camera lenses. F-stop number expresses the speed of the lens on the assumption that lens transmits 100% of the incident light. The T-number expresses the actual light transmission, which is more accurate, and is the standard in professional cine lenses.
My Cart
You have no items in your shopping cart.
Designated trademarks and brands are the property of their respective owners.
